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On “Third Watch,” the script would sometimes read, “Action sequence TBD by Cort,” and he’d be able to design the sequence.
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Hessler spoke about the creativity that goes into being a stunt coordinator. When asked what she loves about her job, Pynn responded, “You get to go to work every day and do something different.” For one stunt in which Pynn performed a descender fall from 180 feet off a dam, there was a month’s worth of prep time involved. A lot of rehearsal goes into each stunt, and the performers have years of experience. “We do everything we can to be safe but make it look violent,” said Hessler. “We’ve been very successful,” said Battista. Officers from the NYPD Movie/TV Unit are on set for all stunts that take place in the City to ensure safety. It can take five to ten years to become a working stunt performer, so in the meantime, take a job that keeps you physical like at a rock climbing facility or a ski resort.”ĭeputy Commissioner Battista noted that safety is a top concern for the Mayor’s Office of Media and Entertainment. “You can’t really be a bartending stunt performer. “The stunt industry is a physical business,” said Pope whose credits include Premium Rush. “It took me five years to make a living ,” said Pynn. The bigger stuff – crashing cars, jumping buildings – takes years of experience. “We have to trust who we’re hiring,” said Hessler, who’s currently the stunt coordinator on “Blue Bloods.” Stunt coordinators are like casting directors they’re the ones who hire the performers for the stunt. The career trajectory for a stunt performer is to eventually become a stunt coordinator. In New York, most stunts involve driving cars and staging fights. A stunt, the panelists explained, can be anything from crashing a car to tripping over a shoelace. “A stunt coordinator is someone who designs a stunt, hires the stunt person and works with the production to make sure it’s safe,” said Hessler. Cort Hessler and Stephen Pope are stunt coordinators. Jodi Pynn is a stunt woman who’s worked on Sherlock Holmes and I Am Legend, among many other productions.
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Chris Wisniewski, deputy director for education at the Museum, welcomed the audience to the free discussion, which was moderated by Mayor’s Office of Media and Entertainment’s deputy commissioner John Battista.ĭeputy Commissioner Battista introduced the panelists, who have had diverse careers working on numerous sets in New York City.
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NovemThe “Made in NY” Industry Series started off its new line-up of behind-the-scenes panel discussions with a lively conversation featuring stunt performers and coordinators at the Museum of the Moving Image in Astoria, Queens on November 5. Local stunt performers and coordinators share their stories about their "Made in NY" careers. New Yorkers Share Insights into the World of Stunt Performers